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Videos

The Making of 'Shot in the Dark." A series on Netflix
The Making of "Shot In the Dark." A terrific series on Netflix. It is about "stringers," or freelance news cameramen. Truth be told, I was very interested in this subject because I supported myself through school as a stringer. I had the police and fire department radios in my car and at home. I loved the adventure and adrenaline rush and was learning how to shoot and what was needed by the tv stations for a good story.

Website: WestDoc Online

Alex Gibney - THE documentarian of our time.
Director ALEX GIBNEY is called "the most important documentarian of our time" by Esquire Magazine and he is our big 50th episode on WestdocOnline.com.
The list of his awards includes an Oscar, multiple Emmys, a Grammy, several Peabody Awards, the DuPont-Columbia Award. But more important, Alex produces and directs important films of our times. But it wasnít a piece of cake for Gibney to get going.
Website: WestDoc Online

Kate Novack and Andrew Rossi talk with Chuck Braveman about Hysterical Girl
Sigmund Freud’s only major case of a female patient is looked at by the doc short from Kate Novack and Andrew Rossi. Kate Novack and Andrew Rossi talk with Chuck Braveman about Hysterical Girl, a focus on Sigmund Freudís only major case of a female patient.

Website: WestDoc Online

Sheona McDonald and Dead Man's Switch - a crypto mystery
Producer, Director, Writer SHEONA McDONALD was in a casual meeting when the network buyer said "What do you have for me?" When she came up empty, the buyer said "Find me something good about the block chain crypto money thing. And Sheona found one great story about a 30 year old CEO of one of the largest cryptocurrency exchanges, his sudden death, and the missing millions of dollars. McDonald talks about the making of "Dead Manís Switch" and how she put together the doc. Itís a great story that might make you think twice before buying Bitcoin.

Website: WestDoc Online

The Motion Picture Academy has now qualified a record breaking 240 feature documentary submissions!
Anthony Giacchino and Alice Doyard talk witht Chuck Braverman and discuss "Colette".an emotional documentary about two women who bond on the road to a prisoner of war camp, and everyone got more than they bargained for. The entire film can be watched at www.theguardian.com/colette.

Website: WestDoc Online

Introducing Walter Murch and Taghi Amirani.
Walter Murch and Taghi Amirani are featured on the latest episode of Westdoc Online with host Chuck Braverman discussing "Coup 53.,

Website: WestDoc Online

Naomi McDougall Jones: What it's like to be a woman in Hollywood
This is a call to action. Actress and activist Naomi McDougall Jones outlines her four-point plan for a total representation revolution in Hollywood. Waiting for the industry to grow a conscience isnít going to fix the problem, it needs to come from us all. https://www.youtube.com/watch?v=2BVSEnJte84

Maurice Conti: The incredible inventions of intuitive AI
Computers that improve our ability to think and imagine, and robotic systems that come up with (and build) radical new designs for bridges, cars, drones and much more ó all by themselves. Thatís what we get when with intuitive AI. Ewplore more with Maurice Conti. https://www.youtube.com/embed/ueOqYebVhtc

Kevin Allocca: Why videos go viral
Kevin Alloca watches YouTube videos for a living. In this talk, he explains why videos go viral and why it matters at all. There are over 48 hours of video uploaded to YouTube every minute but only a tiny percentage ever goes viral and gets tons of views and becomes a cultural moment. So how does it happen? https://www.youtube.com/watch?v=BpxVIwCbBK0

Colin Stokes: How movies teach manhood
The director of communications for the non-profit Citizen Schools, Colin Stokes thinks deeply about the media he shares with his two young children and asks for more movies that send positive messages to boys: that cooperation is heroic, and respecting women is as manly as defeating the villain.

Andrew Stanton: The clues to a great story
Andrew Stanton wrote the first film produced entirely on a computer, Toy Story. But what made that film a classic wasnít the history-making graphic technology -- itís the story, the heart, the characters that children around the world instantly accepted into their own lives. And so we ask, what is the secret of a great story?

Paying Tribute to the Filmmakers Behind Recently Declassified Footage
They were a team of photographers, producers, and technicians, who put together hundreds of classified films for the Dept. Of Defense and the Dept. Of Energy. Their jobs were shrouded in secrecy. The atomic bomb blasts they filmed were a matter of national security. Now, 50 years after the opening of their secret film studio, their story can be told. the recent news of more declassified atomic bomb tests are the people who committed those historic a-bomb tests to film, the Atomic Filmmakers of Lookout Mountain Studios. Filmmaker Peter Kuran, who made the movie "Trinity and Beyond (The Atomic Bomb Movie)" threw what he called a "wrap party" at the American Film Institute to give these filmmakers recognition for their work. Now a special behind-the-scenes look at this tribute event as reported on television 20 years ago is available.

David Autor: Will automation take away all our jobs?
Hereís a paradox you donít hear much about: despite a century of creating machines to do our work for us, the proportion of adults in the US with a job has consistently gone up for the past 125 years. David Autor investigates. https://www.youtube.com/watch?v=th3nnEpITz0

Thomas Hellum: The world's most boring television ... and why it's hilariously addictive
Hereís slow TV! Reality TV shows that include a 7 hours train journey, an 18 hour fishing expedition and a 5.5 day ferry voyage along the coast of Norway. The results are both beautiful and fascinating.

Nonny de la Pena: The future of news? Virtual reality
Nonny de la Pena uses new, immersive media to tell stories that create empathy in readers and viewers. Using virtual reality, she creates evocative experience that she hopes will help people understand the news in a brand new way.

What Does it Take to be Successful at Footage Research?
A group of top footage researchers, led by Sue Malden, Chair of FOCAL International, explores the ways that researchers can use to make footage research most effective. With an international panel of experts this is one of the most beneficial videos on the subject available.

Fei-Fei Li: How we're teaching computers to understand pictures
In a thrilling Ted talk, computer vision expert Fei-Fei Li describes the state of the art ó including the database of 15 million photos her team built to "teach" a computer to understand pictures ó and the key insights yet to come.

2017 is Buzzing with Artificial Intelligence
Itís one of the biggest trends in technology at the moment, and thatís because AI is experiencing some huge leaps forward. From self-driving cars, to learning chatbots and AI musicians, the creative applications of artificial intelligence are growing everyday. As this technology develops further, now is the time for Marketing and Advertising to embrace AI as a creative tool. But what are these advancements in AI, and how can this technology be applied to the marketing world? Just released is this video, in which Happy Finish CEO & Co-Founder Stuart Waplington will introduce you to the concept of deep learning, the different levels of artificial intelligence, and showcase some successful (and not so successful!) applications of creative AI in action.

Andrew Fitzgerald: Adventures in Twitter fiction
From radio to Twitter: with different medium, we see different storytelling formats emerge. Andrew Fitzgerald is a writer, editor and Tweeter. As a member of the News and Journalism Partnerships team at Twitter, he explores creative uses of digital storytelling on the platform and elsewhere on the web.

Don Levy: A cinematic journey through visual effects
M?li?s was first a magician. Now movies proved to be the ultimate medium for magic. With complete control of everything the audience can see, moviemakers had developed an arsenal of techniques to further their deceptions. How far have visual effects come since then?

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